As the scene progressed, you could sense him losing hope, his sound diminuendoing. For up-to-date casting go back to the previous page. The character-driven chamber opera, a collaboration between acclaimed American composer Heggie and librettist Gene Scheer, based on a script by Terrence McNally, will be directed by Gary Briggle and presented at the Jungle Theater. Premieres Friday, June 17, 2022 at 9 p.m. on KPBS 2 / On demand with PBS Video App. Discovered and promoted by Valery Gergiev, she began her career at the Mariinsky Theatre, collaborating . Directors love Wagner's operas, which infuse the suggestive sketchiness of parables into clearly conceived plots and characters. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. At the climactic La Maledizione he interpolated a high G flat and A flat, both delivered ferociously to end the night. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. It will help us make your newsletter content more useful. It was based on a libretto by Angelo Anelli for Stefano Pavesi 's opera Ser Marcantonio written in 1810 [1] but, on the published libretto, the author appears as "M.A." Don Pasquale, opera buffa (comic opera) in three acts by Italian composer Gaetano Donizetti (Italian libretto by Donizetti and Giovanni Ruffini) that premiered at the . Pretty but Pointless. But then the turntable starts to move. It was the epitome of style over substance and after seeing it a few times, no singer however great could get me to subject myself to its charmlessness. But most of the night, and especially in these fast sections, the weight in the lower strings was completely inaudible (please note that I was in the orchestra section and that might have had something to do with that experience). Marullo, signore, tu chhai lalma gentil come il core retained some of the edge and accents, with the final ohime of the section sounding bitter, almost as if Rigoletto were disgusted at having to plead with these vil razza for help. For further details on Rigoletto, including casting by date, please click here. But the finest singing of the evening came from Benjamin Bernheim, making his long-overdue Met debut. But the ensuing Act is where her commitment to the character was at its most powerful. Rigoletto contains a wealth of melody, including one that is among the worlds most famous: La donna mobile. All the operas solos are rich with character insight and dramatic development. His first Gilda! This isnt all that dissimilar from the new Lucia di Lammermoor production that opened earlier this year; its more subtle, but the visual dissonance is very much the same. In the role of Sparafucile, Relyea continued his revival with the company. Director: Leo Paur. Between 2014 and 2020, he was music director of the Orchestra della Toscana, where he is currently artistic director. Kelsey is impressive in the title role, his hulking, muscular baritone dominating the stage. 'Rigoletto' at The Met Opera Ken Howard While the highly anticipated revival of The Music Man idles awaiting the recovery from COVID of its stars Hugh Jackman and Sutton Foster and other. Rigoletto returns in the spring for five performances May 28-June 11, 2022. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. The production of Verdi's final opera will star Mark Delavan as Sir John Falstaff, Brian Major as Ford, Rachel Blaustein as Nannetta, Mary Feminear as Alice Ford, Allegra De Vita as Meg Page, Catherine Martin as Mistress Quickly, Yi Li as Fenton, Mauricio Miranda as Dr. Caius, Joseph Michael Brent as Bardolfo, and Andrea Silvestri as Pistola. Performances are May 28 and June 1, 4, 8, and 11. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Verdi: Rigoletto (2022) Full Cast & Crew See agents for this cast & crew on IMDbPro Directed by Gary Halvorson Writing Credits (in alphabetical order) Cast Camera and Electrical Department Kevin Murphy . Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. Videos. American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. His body opened up at its most forte, as if ready to take on the world, only to shrink back into itself on his piano lines. Even when, moments later, her own father rushed to console her, you could feel the discomfort and even the sense of rejection as she moved away from him. Industry Professionals. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. The Metropolitan Opera has announced a cast change for its spring run of "Rigoletto.". Nicholas Carter makes his Met debut conducting a remarkable ensemble, which also features soprano Brenda Rae as Ophelia, mezzo-soprano Sarah Connolly as Gertrude, baritone Rod Gilfry as Claudius, and legendary bass John Tomlinson as the ghost of Hamlet's father. For the Met: Mia Bongiovanni is supervising producer and Louisa Briccetti and Victoria Warivonchik are producers. But these emphatic tempi shifts stood out as unrefined for a number of reasons. Gothic horror, magic and romance at the 2023 Savonlinna Opera Festival, At the helm of the world's most expensive opera house: Met General Manager Peter Gelb, From our French editor: ode to the diehards, Guilty pleasures: Yoncheva and Beczaa star in a new. Jen has worked at KPBS since 2000. Lisette has given 68 performances as Gilda. Kevin is a violinist and violist, and regularly performs as a soloist, chamber musician, and as an orchestral player. During the ensuing scene with Gilda, he was fierce in his defense of Gilda, staring down the other men and ordering them out. This product includes GeoLite2 data created by MaxMind, available from, Guilty pleasures: Yoncheva stars in a new, A fine showing for the 1884 Italian version of, To add a comment, please sign in or register. The Met rings in the new year with the gala premiere of a bold new take on Verdi's timeless tragedy from Bartlett Sher. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Classical Music Opera The Met: "Rigoletto" (Review) Feb. 8 and Feb. 19 at 8, Feb. 12 at 7:30, and Feb. 16 at 1: . It was hard to decipher what was going on and the fact that this kind of abstraction was never hinted at our set up anywhere else in the production (which was played as straight as possible) took you right out of the moment. Mezzo-soprano Isabel Leonard hosts. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. The Metropolitan Opera: Rigoletto (2022) movie cast and actor biographies. However, things started getting a bit off during the dolce sixth leaps on a te and the ensuing sixteenth note runs; the soprano sounded stretched and there was even a moment where she went a bit flat in the runs. The Act three trio was a mess of sounds without any real grounding and during the final duet, Lass in ciel, the violin syncopations were so accented as to sound plodding and heavy that they didnt fit into the general soundscape of the moment, even disrupting it. Rigoletto Ken Howard / Met Opera For the first time since the mid-1970s the Metropolitan Opera is performing into June after recently establishing an annual month-long hiatus during the. David Frost is music producer and Peter Gelb is executive producer. and the castwhich includes eljko Lui, Diana Damrau, Piotr Beczala . As her brother Sparafucile, John Relyea was appropriately menacing, sliding in and out of the shadows despite his massive frame. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. The company noted that Erin Morley will sing the role of Gilda on May 28 through June 11 replacing the originally announced Kristina Mkhitaryan, who has withdrawn from the production. Metropolitan Opera Announces Cast Change For RIGOLETTO Performances are May 28 and June 1, 4, 8, and 11. by Stephi Wild May. solo per me linfamia; that passage is marked Pi mosso, following the Andantino from Gildas opening lines, but in this case, the tempo felt like it almost doubled the previous one in how quickly it accelerated. There was an aggressive nature to his opening scene, almost as if his Rigoletto were always on the defensive in this predatory world. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. At the close of the duet, his piano singing blended with Feolas almost as one with the cadenza, as noted, spot on through the several runs. And when she exited the Dukes room, she moved about the space slowly, her eyes downcast, searching for a place to be alone. For its first staging of the opera in 17 years, the Met assembled a superb cast which combined with the Metropolitan Opera Chorus and Orchestra under the baton of Yannick . His initial recitativo was colored by bitterness with the ensuing smoothness of his legato on E dove ora sar quellangiol caro? transitioning into a warmer timbre that hinted at his longing for Gilda. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Rigoletto, a cursed court jester of the lustful Duke of Mantua, obsessively protects his daughter, Gilda. N New Production. But her experience as an operatic conductor was in full evidence, shading the orchestra and stretching the tempo like a true master. Met Opera | April 15, 2023. He has served as principal conductor the Opra National de Lyon since 2017 and chief conductor of the Ulster Orchestra since 2019. Luiz Gazzola Opera Lively. Genre: Opera. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. Maestro Daniele Rustioni leads Verdis timeless tragedy reset in 1920s Europe by Tony-winning director Bartlett Sher. The Metropolitan Opera. His most-recent work on Broadway includes Tootsie, Kiss Me Kate, and My Fair Lady. Join the DSO Women's History Month Celebration: Join the launch of the DSO's virtual Women in Classical Music in Conversation series on Wednesday, March 1, at 12:00 pm, which will provide a community forum and build upon the relationships formed at the symposium. Verdi's Rigoletto. You can always feel tenors getting ready for this big moment and then when it comes, they drag it out, which unfortunately undercuts everything else that makes this aria so emblematic of the Dukes character. She brought a seemingly endless supply of energy to the evening, with swift tempi and impressively monolithic brass. On Dec. 31, the Metropolitan Opera opened a new production of "Rigoletto." It was the first time since 2013 that the company was showcasing a new staging of Verdi's masterpiece and it was a departure from the Las Vegas set. Confusion, unless part of the thematic underpinning of the story, never makes for good storytelling. He has conducted all of the major Italian symphony orchestras, as well as many throughout Europe, and has also led productions at La Scala, Staatsoper Berlin, Dutch National Opera, the Paris Opera, Pesaros Rossini Opera Festival, and in Aix-en-Provence, Valencia, Venice, Madrid, Stuttgart, Zurich, Tokyo, Rome, and Naples, among others. We appreciate your patience. GREAT PERFORMANCES AT THE MET "Rigoletto" premieres Friday, June 17 on PBS as part of #PBSForTheArts. The two visibly reveled in the sensuality of the cadenza, their voices navigating the lines seamlessly. A new 'guide' can help. For more than 50 years, PBS has been the media destination for the arts, presenting dance, theater, opera, visual arts and concerts to Americans in every corner of the country. American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. He also had the opportunity of interviewing numerous Oscar nominees, Golden Globe winners and film industry giants such as Guillermo del Toro, Oscar Isaac and John Leguizamo among others. With Varduhi Abrahamyan, Piotr Beczala, Rosa Feola, Quinn Kelsey. This conversation features leaders of the Dallas Symphony, including Ross . These PDFs do not include cast changes that occurred after the program went to print. The Met Operas faithfulness to Michael Mayers increasingly unnerving Las Vegas production which, once youve experienced the saturation from the spectacle itself, comes off as rather empty in its storytelling. Review: Amid Omicron, the Met Opera Opens a Weimar 'Rigoletto'. She recently made her debut at Covent Garden as Micala in Carmen. The baritone Quinn . There were other moments, where the textures simply didnt cohere. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. January 18, 2022. Also making her debut was the young mezzo Aigul Akhmetshina as Maddalena. Beyond the costumes, it's hard to see what Sher has actually done with the purported Weimar inspiration he captures neither the hedonism nor the sense of imminent downfall of the period but it's an attractive, efficient production that will surely be revived for years to come. But hes here now and he was definitely worth the wait. For some, the movement allows for a shifting of place and time throughout (like during the cabaletta Possente amor mi chiama where we see Gilda getting prepared for the Dukes arrival) and thus creates visual momentum and variety. As he crescendoed into Mora! you could feel the pain and anger wrapped into one. 2022-12-22 ANNOUNCEMENT Ekaterina Sannikova signs with TACT for General Management Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. Moreover, he started closing in on the other men around him, almost as if ready to strike them. Recent highlights this season include conducting Mozart's Die Zauberflte at Lyric Opera of Chicago, the world premiere of Philip Glass's Alice in Strasbourg, Mozart's Cos fan tutte at Arizona Opera, and concerts with the Orchestre Chambre de Paris and Charlotte Symphony Orchestra. And while Feola also delivered well on the higher lines throughout the Vendetta duet, the quartet, and trio (a tough task for all three singers as mentioned), the final duet was another moment of sublime singing from the soprano.Lass in ciel was delivered with the utmost delicacy of sound, each note angelic in its purity. esser difforme, esser buffone, the voice shifting from grainy to soft and delicate as he sang Il retaggio dogni uom m tolto, il pianto.. The restatement of the main melody was delivered with an even more intimate and sensual piano. The music says one thing, the stage says another. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States ti. When Giovanna opened the door for her, she rushed out with tremendous excitement and you could feel the relief as she stepped outside into freedom, her arms spread wide to receive it; it was a truly visceral moment to behold. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. Taking on that task in this production was Speranza Scappucci, making her Metropolitan Opera debut. His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. Visit Website. In January 2020, she performed recitals at New York Citys Park Avenue Armory and the Kennedy Center. Once a seeming fixture with the company throughout the early 2000s, he stopped appearing after the 2016 season. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. Sunday, March 18th, 1pm. She slowly crept up those stairs, the trepidation apparent, and glimpsed inside. Grinnell College will stream "Rigoletto" on Jan. 29 as part of the Met's 2021-22 Live in HD season. Varduhi Abrahamyan makes her Met debut as Maddalena, and Andrea Mastroni is Sparafucile. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) Even when they struggled with the tempo at the start of Addio addio, they barely missed a step, finding one another and surging forward. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. He capped off this incredible performance with a lengthy pause, which added tremendous emotional suspense to the moments following Gildas death. It all started even a few bars earlier with a honeyed rendition of Ogni saggezza chiudesi nel gaudio e nellamore, Bernheim bringing managing a spellbinding diminuendo up the F sharp in the second half of the phrase. The La r, la r, la r started off aggressive, the baritone placing forceful accents throughout. GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. Her costume designs are currently featured in the new Broadway production of Moulin Rouge!. The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. Her vocal approach to the role was perfectly aligned to her characterization. 17 des. NEWSLETTERS: Sign up to keep up with all the latest news, arts and culture, and TV highlights from KPBS. Performance History. Il Trittico is comprised of three one act operas; Il Tabarro (The Cloak), Suor Angelica (Sister Angelica), and Gianni Schicchi. These PDFs do not include cast changes that occurred after the program went to print. She served as music director and chief conductor of Staatsoper Hannover between 2011 and 2016, and music director of Theater Freiburg between 2003 and 2006. The announcement was made via the company's social media page and no reason was given for the replacement. A loud, unsubtle performance of a loud, unsubtle production the Met really deserves a new Aida. But Pari siamo also allows us to see the purity and hope inside of Rigolettos heart, the possibility of him separating himself from the pack of predators. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. The answer was in this very guttural sound. She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. 2010-2023 Bachtrack Ltd. All rights reserved. Despite her frumpy costume, she's ideal for the role, clearly having the time of her life vamping around the stage. The singers, who were all on their A-game, often sounded a bit uncomfortable. Pari siamo is at the core of Rigoletto. Its in this moment, when the titular character, having been damned by another fallen father, meditates on a recent conversation with the murderer Sparafucile. Croatian bass Ante Jerkunica makes his Met debut as Sparafucile this season. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. 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